Categories
Sound

SFX for a dance/kung-fu show – Lightsaber sound

The show was produced by Blind Frame Productions. It was performed at the Solid Tricular LAN-party. The sci-fi inspired show used themes from Star Wars, Terminator and Transformers. The second half of the show was a lightsaber battle.

I checked out readily available material for the lightsaber sounds, but concluded that the available material didn’t sound evil enough and was inflexible for the show’s purpose, so I decided to create my own.

The lightsaber sound was created with Plogue Bidule. The fundamental waveform consists of PWM sawtooth and synced sawtooth waves. Envelope modulated PW creates the ignition effect. The waveform is put through and mixed with a couple of filterbanks, which add a bit of distortion too. The core of the sound is the fundamental waveform put through a customized and monophonic formant filter. In total the sound consists of three different layers.

The sound of movement is created by putting the original sound through a new set of filters, which mix with an amplitude modulated copy of themselves. An energy field rips through atmosphere. This second signal path is mixed to the original via a crossfader. The crossfader and a few other parameters were programmed to be controlled by the modulation wheel of a midi keyboard.

I originally envisioned to record the output of the process and replay it at the show. I ended up manipulating the process live with the midi keyboard, because it was much easier and I could better react to the action on stage. The contact sounds are adjustments of the original process, and they were launched with the keyboard. Besides the lightsabers a multitude of other sounds were created for the show.

The sound is not supposed to be an emulation of the original, but a unique rendering for a unique purpose. It sounded awesome through the party’s PA.

Categories
Music

Music for an acrobatic fire performance

Talvisoolo (Winter solo) was composed for an acrobatic fire performer (a member of Trio Taika). The track was created in co-operation with Visa Oscar. The world freezes and thaws in a dialogue with a fiery soul.

A lot of icy material was employed as rhythms, ambiences and melodies. Some of it was retrieved from the Live Antarctic Stream of AWI.

The track uses samples from following Freesound contributors: Black_Boe, c97059890, Corsica_S, deer, Dynamicell, gelo_papas, laurent, scarbelly25 and soalicesays

Categories
Art

Jungle of Sound

Ääniviidakko (Jungle of Sound) is a generative and synthetic rainforest/jungle soundscape installation. It was created for the chill out space of Manaus techno party, held in Helsinki. It was not possible to sonically separate the chill out space very well from the main stage, and it would have been futile to have a DJ there.

The totality consists of eight separate layers, which are in constant tranformation and rhythmically independend of each other. No natural sounds have been used as the source. A few irrelevant rhythmical and melodious elements are driven through a multitude of effects, which create a jungle-like soundscape, which never repeats itself.

The cycles are quite long, and the soundscape goes through impressions of night and day, relaxation and activity. On top of that stochastic midi generators drive a few software synthesizers, which simulate wind and water-like noises.

A collage of real jungle and rainforest sounds is used as a secondary source to liven up the synthetic main composition. These are mainly birds, which at times rise up to be heard.

Realized with Plogue Bidule

Exhibitions:
2008 Manaus party chill out area, Helsinki

Categories
Sound

Signal sounds for a file-sharing tool

A set of sounds to be used in a file sharing tool. Water-like and cool as requested. The source was an upright piano improvisation, from which single notes were extracted and heavily processed as part of the overall sound design.

Categories
Music

Movie tune-in music

An ambient soundscape created for the opening evening of an independent movie theater. Soundscape tuned the audience in to the atmosphere of the movie in question – Nuovomondo. Kino Tapiola wished the soundscape to rise subliminally from the ambient noise of the theater surroundings. Four minutes of ambient noise have been cut from the beginning.

The track uses samples from following Freesound contributors: c97059890, Corsica S, Fonogeno, Greysound, Jasinski and Schalkalwis