Creations for movies – sound design and editing, sound designer, music production and effects, various jobs related to the industry and art.
https://www.youtube.com/watch?v=30XJhUVNIio
I worked as the sound designer for Anni, a Finnish indie feature movie production. I also did on site recording, foley effects and mixing. The movie was directed by Jussi Einola and produced by Joonas Einola.
Besides mixing the movie soundtrack I also mixed and mastered the music and created a few original pieces using material from the composer (Simo Salo).
Anni uses samples and source material by Freesound.org contributors, who are listed below.
Muutos is a traditional Christian indie feature film, to which I took a part for some time. I was present at a couple of shootings as a recordist, created a couple of ambient atmospheres and designed the sound.
The video depicts a scene from a short feature ‘Astronautti’, which was directed by Topias Parkkonen. The sound player has the complete sound track, which consists of five pieces. The first four pieces are tied together by one low frequency sound. When the protagonist is releaved from his childhood traumas in the ending scene by the help from a girl he has fallen in love with, the low frequency sound ceases to haunt him.
The melodies and other material from various analogue synthesizers were recorded straight to the sound editor without much rehearsal or careful composing. The film was played on the screen at the same time and the feeling of the scenes and the story intuitively transformed into music.
The method didn’t allow any midi sequencing, because there wasn’t any specific tempo set and the sounds of various synthesizers was directly recorded. During the editing phase the sounds were further processed and cut to fit better to the events of the film. The method was fast, sensitive and intuitive, and the result organic and fitting.
Volume automation was used to level the dynamics of the dialogue. The dialogue was to be clear and distinct. It’s not a realistic approach, but it serves the purpose of a focused message.
The music was mixed to specially support the dialogue. The soundfield has space in the middle, and the reverbs used are extra dark so that they don’t overlap too much with the voice frequencies.
I also was the recordist at some of the shootings, and cleaned the dialogue of the ready film from noises and disturbances.
Compared to the previous film sound works, where the soundtrack was created to cut and silent video, the music was composed first for this one. The final version was prepared from the version cut by the video team, and was ultimately guided by the wishes of Trio Taika.
The track uses samples from following Freesound contributors: Batchku, Kostasvomvolos, Nosfoe, Scarbelly 25 and Vitriolix
Overtone flutes played by Antti Kero and Janne Särkelä.