This might be a nifty sound design trick. With the creative use of a gate effect, you can write messages into the amplitude waveform.
At the very least the resulting gate patterns are interesting.
This might be a nifty sound design trick. With the creative use of a gate effect, you can write messages into the amplitude waveform.
At the very least the resulting gate patterns are interesting.
An excerpt of the soundtrack loop for an exhibition by a Guadeloupean artist Karib.
The piece is largely based on the high-pitched sound of a reverberating cannon shell casing, which acts like a tuning fork after being fired. In this case, its frequency is about 4400 Hz, or slightly below C#, which corresponds to the wavelength of the casing’s diameter or the cannon’s caliber. The sound is played at different octaves/pitches and processed in various ways. It is mixed with the sound of a Tibetan prayer bell and a temporally lengthened and highly processed sound of a creaking door brings along an organic dynamism.
CHLRDCN is a black metal – techno trio from Guadeloupe, the French Caribbean. It is the combination of the singer Robbie, the guitarist Brendan and me as the techno part.
Releases:
I mixed two tracks for a Guadeloupean trap/hip-hop project Undagwaan, and more is to come. This is the video for one of the tracks.